[Text nur in englischer Sprache verfügbar] Giuseppe Curzio aka CRZ is a sound engineer, passionate collector of vinyls and synthesizers.
He defines himself as a 'listener' with a pragmatic as well as analytical approach, searching for non-binary rhythm destruction of harmony in a common autechrish/free-jazz way. Shapeshifting from microsound to minimalism, to soothing shimmering comedowns for relaxing and dreamy atmospheres derived by ambient music, from breakneck BPMs and anxiety-inducing polyrhythmic attacks with wicked frenzy-breakbeat incursions, he is able to set himself...[Text nur in englischer Sprache verfügbar] Giuseppe Curzio aka CRZ is a sound engineer, passionate collector of vinyls and synthesizers.
He defines himself as a 'listener' with a pragmatic as well as analytical approach, searching for non-binary rhythm destruction of harmony in a common autechrish/free-jazz way. Shapeshifting from microsound to minimalism, to soothing shimmering comedowns for relaxing and dreamy atmospheres derived by ambient music, from breakneck BPMs and anxiety-inducing polyrhythmic attacks with wicked frenzy-breakbeat incursions, he is able to set himself in the maze of subcultures trying to expand the limits of genre.
He defines himself as a 'listener' with a pragmatic as well as analytical approach, searching for non-binary rhythm destruction of harmony in a common autechrish/free-jazz way. Shapeshifting from microsound to minimalism, to soothing shimmering comedowns for relaxing and dreamy atmospheres derived by ambient music, from breakneck BPMs and anxiety-inducing polyrhythmic attacks with wicked frenzy-breakbeat incursions, he is able to set himself...[Text nur in englischer Sprache verfügbar] Giuseppe Curzio aka CRZ is a sound engineer, passionate collector of vinyls and synthesizers.
He defines himself as a 'listener' with a pragmatic as well as analytical approach, searching for non-binary rhythm destruction of harmony in a common autechrish/free-jazz way. Shapeshifting from microsound to minimalism, to soothing shimmering comedowns for relaxing and dreamy atmospheres derived by ambient music, from breakneck BPMs and anxiety-inducing polyrhythmic attacks with wicked frenzy-breakbeat incursions, he is able to set himself in the maze of subcultures trying to expand the limits of genre.
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