[Text available only in English] Some projects are difficult to show with a single image.
Not because there are not enough images, but because the real thing happens somewhere between image, space and people.

Night in the Hills was exactly that kind of project.

It was an immersive ball where projections were not just a background for the event. They became part of the event itself. The hall transformed into a sequence of visual worlds: a luminous stained-glass space, an enchanted forest, a cosmic dissolution. The guests were not only watching the image. They were moving inside it, dancing through light and shadow,...