[Text nur in englischer Sprache verfügbar] In contrast to a hyperrealist vision in which the near future is crudely delineated by the power of technology and large post-capitalist systems, we interpret on a philosophical level the term Re-humanism as an invitation to a process of re-humanization, an invitation to regain a poetic and imaginative power with respect to the world.
According to Bachelard, in the ontology of the elements, Fire as a generating principle, of images, of heat, of light, of transformation, can be considered a device, a "hormone" that tickles and induces man to imagination.
By designing works that in different forms and at different times relate to this element by regenerating it, the artists propose to viewers an experience of collective rêverie, a dream through which they dream of matter and the world itself, for the purpose of restoring a harmonious contact with an original reality.
In cosmic rêverie, in fact, the soul comes into contact with matter by understanding its essence, and there the active dreamer encounters the wonder of things, the beauty of the world, the voice of the universe, to the point of touching each other, of interpenetrating on the same plane of being.
"Dreaming of the universe, one always leaves, one dwells elsewhere."
The performance features seven performers and lasts an estimated ten to fifteen minutes.
The performative experience invites a cathartic journey from the aforementioned activation of a collective reverie. Drawing on Greek dramaturgy, catharsis consists of a moment of liberation of the human experience, coinciding with the overcoming of one's psychophysical limitations in favor of a dimensional expansion.
The induction of the cathartic process occurs through the creation of a choreography in which the performers dialogue with the works, a ritual of material evocation of the flame, as vestals invested with the responsibility of its custody.
An immersive sound accompaniment is provided that captures the analogically generated sounds of the sculptural system.
According to Bachelard, in the ontology of the elements, Fire as a generating principle, of images, of heat, of light, of transformation, can be considered a device, a "hormone" that tickles and induces man to imagination.
By designing works that in different forms and at different times relate to this element by regenerating it, the artists propose to viewers an experience of collective rêverie, a dream through which they dream of matter and the world itself, for the purpose of restoring a harmonious contact with an original reality.
In cosmic rêverie, in fact, the soul comes into contact with matter by understanding its essence, and there the active dreamer encounters the wonder of things, the beauty of the world, the voice of the universe, to the point of touching each other, of interpenetrating on the same plane of being.
"Dreaming of the universe, one always leaves, one dwells elsewhere."
The performance features seven performers and lasts an estimated ten to fifteen minutes.
The performative experience invites a cathartic journey from the aforementioned activation of a collective reverie. Drawing on Greek dramaturgy, catharsis consists of a moment of liberation of the human experience, coinciding with the overcoming of one's psychophysical limitations in favor of a dimensional expansion.
The induction of the cathartic process occurs through the creation of a choreography in which the performers dialogue with the works, a ritual of material evocation of the flame, as vestals invested with the responsibility of its custody.
An immersive sound accompaniment is provided that captures the analogically generated sounds of the sculptural system.
Dauer (Minuten)
15-20 min
Was wird benötigt
Nichts
Was die Künstler bringen
Nichts
- AV Performance
- Generative
- Experimental Electronics
Autoren
Blivet
Italy Rome
Benedetta
Italy
Salva D'acquisto
Italy
Marcus Validus
Italy
Micol
Italy
raptus of raptus
Italy Rome
Tar.Rik
Italy Rome