The idea behind Les Veilleurs d’Images is to create a narrative detached from the first show and focusing on the character of the man with the movie camera. Combining images created for the show with others gleaned over time, this multimedia performance concentrates on the person behind the camera and on his bank of images.
“Shooting, what’s it about? Taking advantage of this milling chamber to get a little squint at that something else, beyond the actual flow of events which are what they are, being lived out by people. ‘Lived’ is saying a lot, whatever anyone says, when we’re talking about a fictional film. ‘Something else’? Things which touch you, move you, we don’t know why. They aren’t included in the story, or History with a capital H, but without them the story wouldn’t be what it is. ‘Squint’, what a pretty word, as if there were two eyes, double eyepieces, not for seeing in relief but two eyes like there are two memories, so that the one filming would have as it were a trailing eye looking out for anything there, even just a snippet, which is simply human, beyond and above the scripted scene. We ought to invent the squinting camera.” Fernand Deligny, “Camérer” in Caméra/Stylo, n°4, Septembre 1983.
CONTENTS I. DETOURS DU CAMERANT. PREMIERE PARTIE : L’ARSENAL From Acheminement vers l’image, Fernand Deligny II. PAUVRE BATELEUR About You Scared Me, multimedia show, Groupe Composit III. DETOURS DU CAMERANT. DEUXIEME PARTIE : LE CUEILLEUR From Acheminement vers l’image, Fernand Deligny IV. LES GRATTEURS DE TEMPS V. MOUVEMENTS From Mouvements, Henri Michaux VI. LES ENDORMIS S’ECHANGENT LEURS REVES (MOUVEMENTS 2) VII. LES VEILLEURS DE NUITS
Dauer (Minuten)
40
Was wird benötigt
VIDEO - 1 HD Videoprojector - 1 HDMI cable AUDIO - 1 audio interface with 4 outputs - 2 monitoring loudspeakers - 1 Mini Jack - RCA cable - 2 XLR cable
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